Step 6: Select Encrypt Local Backup, type a password, and then click Set Password if you want to encrypt the backup. Step 5: Select Summary listed on the left. If iTunes doesn’t appear to recognize your device, follow these Apple help steps. Step 4: In iTunes, click the little iPhone button near the top left corner, as shown above. Tap Trust and enter the passcode to continue. Step 3: On the iPhone, a Trust This Computer prompt appears. It merely asks if the computer can access the connected iPhone. Step 2: Open iTunes and click Continue on the prompt. You may need a USB-C adapter or a USB-C-to-Lightning cable, depending on the PC. Step 1: Connect the iPhone to your Mac or Windows 10 PC’s USB port. The following instructions are based on iTunes for Windows 10. It can act as a great backup utility for your iPhone’s most important memories. While Apple is phasing iTunes out, it still works on Macs running MacOS Mojave and earlier, and Windows 10 PCs. MacOS Mojave and earlier, or Windows 10: Use iTunes Take note that Finder also provides tools to encrypt the local backup (enabled by default), restore an iPhone from a backup, sync all media to the Mac, and so on. This may take some time, so go grab a snack during the wait. Step 5: Back in Finder, click the Back Up Now button under the General tab.Ī status bar along the bottom will show the backup progress. Step 4: On the iPhone, a Trust This Computer prompt appears. Step 3: Click the blue Trust button displayed on the right. Step 2: Open Finder and select the iPhone listed on the left. Note that on modern MacBooks, you’ll need a USB-C adapter or a USB-C-to-Lightning cable. Step 1: Plug your iPhone into your Mac running MacOS Catalina or newer. Instead, Apple moved that functionality to Finder. However, it’s not used for iPhone backups. In its place is a new Music app with the iTunes logo. MacOS Catalina or newer: Use FinderĪpple did away with iTunes as we know it on MacOS Catalina. This guide shows you how to back up an iPhone using Finder, iTunes, and iCloud. An inspiring downtown view, including a beautiful perspective of the legendary Puck Building, is there for the taking.Thankfully, backing up an iPhone is easy, and you can update your backup automatically. Additional acoustics treatment work was performed by Audio Structures (the team behind Rubber Tracks and Jungle City). The result: the natural light of the live room’s windows can illuminate all four rooms, or also be cut off by curtains between the spaces, if preferable. Go into the Broadway suite, and you can see clear through the glass-walled vocal booth that sits in between both that space and the larger “Crosby” control room, then straight on back to the 175 sq. Upon entering, visitors find themselves in the retro-style lounge, with the entrance to the smaller “Broadway” production suite to their left. The duo implemented an efficient design that shares the studio’s assets, while still allowing modular use and separation when desired. Welsh worked alongside acoustics expert Steve Vavagiakis, who also helped see through the vision for the space. Once he took hold of the space, Boaz enlisted studio architect Douglas Welsh of Box 59 Design - whose experience in studio design developed with his work at Kravitz Design - to maximize the railroad-style layout of Sweet Sounds. There weren’t any options for us to grow there, so we started looking for a place to go.” “The last two years we were constantly booked and packed, but it was one room with one booth – the number of clients was always going to be capped. “The place evolved from somewhere that I’d work on my own music to a commercial business,” says Boaz, an electronic music producer and former DJ. Along with a highly capable crew of engineers, Boaz started Sweet Sounds in 2006, operating out of the busy Mercy Sound complex on 14th Street and attracting a growing clientele of hip hop artists, vocal trackers, and electronic music producers.īut Boaz and associates eventually outgrew the space, and the young-but-seasoned proprietor knew 2012 would be the year to make the move, all the better to serve a client list that has included O.A.R., Toots and the Maytals, Mos Def, Wiz Khalifa, Curren$y, Raekwon, Todd Terry, DJ Skribble, Stalley, Trina, Jim Jones, Ski Beatz, Sean Kingston, Talib Kweli and Hank Shocklee. The space may be fresh, but neither the name nor the game is new for studio owner Dinesh Boaz.
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